David Goode, b.1966, trained at Sir Henry Doulton School of Sculpture and a previous Portrait Sculptor at Madame Tussauds, 'Comfort Food' 2006. A 12" high limited edition (bronze 34 /175) of an Elf asleep in a bowl of marshmallows, signed to the foot and impressed AWF. Goode is inspired by Myths and Folklore in his work and uses the 'lost wax' process when casting his Bronzes.

Georgian Gold and Diamond Half Hoop Ring set with eight old cut stones, 19mm head, P.5, 1.9g

A George VI 1937 Cased Gold Four Coin Set comprising £5, £2, Sovereign and Half Sovereign **TEL BID**

Large Studio Pottery Earthenware Squat Vessel, indistinct impressed mark, c. 40cm diam.

A Hans D. Krieger Diamond Ring in a .950 Platinum Setting, the central round novelty cut stone flanked by three graduate baguette cuts to each shoulder. Sold with an insurance valuation stating the deep central stone c. 7.2 x 6 mm as being 2.12ct J/SI and the baguettes with a total weight of .66ct, 15.5 mm shoulder to shoulder, size L.25, 5.5g. Sold on behalf of the following charities: British Heart Foundation Save the Children British Red Cross Medical Research Foundation Mac Millan Cancer Support Blue Cross Animals in Distress

An Argyllshire Highlanders cross-belt badge, the rectangular plate with crown and XCI 'Argyllshire' below, 8.5 x 7.5cm, together with a green canvas belt and a leather sword frog.

A Modern 18K White Gold, Emerald and Diamond Ring, the central 10.53ct 14x11x6.7mm stone with c. 1.8mm brilliant round cuts, stamped 18K, size M.5, 6.5g. Presented in a W. Bruford box

A late Victorian green glass cordial jug by Stevens & Williams, Stourbridge, of waisted form with etched floral and palmette decoration, 25cm high.

A BVLGARI Tubogas 18ct Gold and Onyx Torque Bangle , full marks, steel spring core, 35.65g

A Fine Chinese Carved White Jade Yupei Jinbu Pendant decorated with a fantail goldfish? amidst swirling water and the reverse further decorated with Chinese characters, suspended on a loop adorned with untested seed pearls and pink quartz?, the panel c. 53mm x 35mm x 8-4mm, possibly Qianlong period. The panel is of exceptional purity with little colour difference between the thicker and thinner areas. Sold together with a Japanese carved nut ojime, in the form of an immortal, 4cm long unsigned